Perchè Harvey Weinstein finanziava i democratici e violentava le donne?

Depravazione, affari e potere politico si intrecciano e si rispecchiano nella storia personale di Harvey Weinstein attraverso i racconti delle sue vittime e le cronache politico-mondane di tre decenni.
Dopo le rivelazioni del New York Times c'è il rischio di confondere il grande coraggio delle donne che lo denunciano con la "sorpresa sdegnata" di chi lo ha frequentato e ha beneficiato della sua ricchezza e della sua rete di influenze.


Gli squallidi imbarazzi di personaggi del mondo dello spettacolo come Oliver Stone e Quentin Tarantino fanno il paio con i silenzi di molti altri.
Non risultano, fino ad oggi, dichiarazioni da parte di Roberto Benigni che vinse due oscar con "La vita è bella" prodotto con l'aiuto di Weinstein.


Tutti ora dicono, con il senno di poi o con candida fellonia, che si sapeva cosa accadeva alla corte dell'Orco.


Alle orecchie di Hillary Clinton invece non era mai pervenuto alcun rumore  e per dimostrare la sua correttezza ha annunciato che devolverà in beneficenza l'equivalente delle somme ricevute da Weinstein nel corso di due campagne elettorali (quelle contro Obama e Trump).

Lo scandalo è esploso dopo un'inchiesta del New York Times:

 

Harvey Weinstein Paid Off Sexual Harassment Accusers for Decades

By JODI KANTOR and MEGAN TWOHEYOCT. 5, 2017
“From the outside, it seemed golden — the Oscars, the success, the remarkable cultural impact,” said Mark Gill, former president of Miramax Los Angeles when the company was owned by Disney. “But behind the scenes, it was a mess, and this was the biggest mess of all,” he added, referring to Mr. Weinstein’s treatment of women.
Dozens of Mr. Weinstein’s former and current employees, from assistants to top executives, said they knew of inappropriate conduct while they worked for him. Only a handful said they ever confronted him.
Mr. Weinstein enforced a code of silence; employees of the Weinstein Company have contracts saying they will not criticize it or its leaders in a way that could harm its “business reputation” or “any employee’s personal reputation,” a recent document shows. And most of the women accepting payouts agreed to confidentiality clauses prohibiting them from speaking about the deals or the events that led to them.
 
 

 

https://www.newyorker.com/news/news-desk/from-aggressive-overtures-to-sexual-assault-harvey-weinsteins-accusers-tell-their-stories


Since the establishment of the first studios, a century ago, there have been few movie executives as dominant, or as domineering, as Harvey Weinstein. He co-founded the production-and-distribution companies Miramax and the Weinstein Company, helping to reinvent the model for independent films with movies including “Sex, Lies, and Videotape,” “The Crying Game,” “Pulp Fiction,” “The English Patient,” “Shakespeare in Love,” and “The King’s Speech.” Beyond Hollywood, he has exercised his influence as a prolific fund-raiser for Democratic Party candidates, including Barack Obama and Hillary Clinton. Weinstein combined a keen eye for promising scripts, directors, and actors with a bullying, even threatening, style of doing business, inspiring both fear and gratitude. His movies have earned more than three hundred Oscar nominations, and, at the annual awards ceremonies, he has been thanked more than almost anyone else in movie history, ranking just after Steven Spielberg and right before God.
For more than twenty years, Weinstein, who is now sixty-five, has also been trailed by rumors of sexual harassment and assault. His behavior has been an open secret to many in Hollywood and beyond, but previous attempts by many publications, including The New Yorker, to investigate and publish the story over the years fell short of the demands of journalistic evidence. Too few people were willing to speak, much less allow a reporter to use their names, and Weinstein and his associates used nondisclosure agreements, payoffs, and legal threats to suppress their accounts. Asia Argento, an Italian film actress and director, said that she did not speak out until now—Weinstein, she told me, forcibly performed oral sex on her—because she feared that Weinstein would “crush” her. “I know he has crushed a lot of people before,” Argento said. “That’s why this story—in my case, it’s twenty years old, some of them are older—has never come out.”
On October 5th, the New York Times, in a powerful report by Jodi Kantor and Megan Twohey, revealed multiple allegations of sexual harassment against Weinstein, an article that led to the resignation of four members of the Weinstein Company’s all-male board, and to Weinstein’s firing.

 

http://edition.cnn.com/2017/10/13/opinions/harvey-weinstein-women-king-opinion/index.html


Famous or unknown, many woman have known their own Harvey Weinstein. Whether the ultimate goal is sex or career advancement or money, the language of his power play is a universal routine, one that every woman will recognize and must try to negotiate. It happens behind closed doors. It happens out in the open. In boardrooms. On dates. Everyday, Weinstein's tactics are employed by men who believe that their power and privilege will always protect them.
That's why I'm grateful for that recording, and for Ambra Battilana Gutierrez's considerable bravery in making it happen. Because, in all its horror, we're all witnesses now, whether we like it or not.
It took twenty years for Weinstein's behavior to come to light. But your routine's over, Harvey. It's time to rewrite the script.

 


Nothing has been a harsher reminder that I work in an industry that profits on the exploitation of women — and not just on screen — than the accusations of Harvey Weinstein as a serial sexual assaulter, particularly of aspiring young actresses. Though I am shocked and disgusted by the scope of his alleged predation, the fact that he may have abused his position of power does not surprise me in the least.
I have always had an uncomfortable relationship with being employed in an industry that profits on the objectification of women. Though pressure to “be like the pretty girls” started long before I entered Hollywood, I quickly learned that even as a preteen actress, young girls with doe eyes and pouty lips who spoke in a high register were favored for roles by the powerful men who made those decisions.